nanostuff wrote:This needs a research grant trying to make sense of why it's so much more captivating than any other love film. Bizarro human emotional engine.
Is it already executed.
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nanostuff wrote:This needs a research grant trying to make sense of why it's so much more captivating than any other love film. Bizarro human emotional engine.
MSandt wrote:Other scenes worth mentioning: Elin "confessing" to her mother that she's a lesbian,.
MSandt wrote:This got mentioned a few times, but it's a kick ass scene where Elin says Vadå, får allt det som jag vill? Vad vet du om det? Vad fan vet du om det? while Broder Daniel starts playing
codyw1 wrote:but it's almost like Elin is testing the water, so to speak. And seeing how it feels to say it out loud, to herself.
bruno wrote:Can I have a little translation here to understand the scene?
MSandt wrote:Oh, it's "What, I get everything I want? What you know about it? What the fuck you know about it?"
Irishman wrote:...12 years is not too late, right? This is a phenomenal film.
Agreed. I love Elin's slow 'aaah' before the open the door.fish wrote:Close to my all time favourite is that lovely little nod of Agnes' head when Elin asks if what Viktoria said is true.
So beautiful.
fish wrote:I even love she scene where Elin ditches Johan.
I mean, ringing Markus' mobile from the next room so she can tell him it's over.
That's got to be the most cruel break up ever. Classic.
Irishman wrote: Agreed. I love Elin's slow 'aaah' before the open the door.
I also love the prelude to this when Elin is talking to Agnes who is on the balcony. Then I love that Moodysson actually shows us Elin pretending to use the toilet, the paper, and the sink (where I think a lesser director would have just cut to Elin exiting the bathroom).snaps wrote:I have mentioned this before, a long time back, probably on another thread.
It's not a fave scene necessarily, but a very VERY difficult one that I think marks out Alex as a true professional actor.
It comes in the reconciliation scene when Elin revisits Agnes to apologize. She has to transition between asking Agnes close personal questions / realising she's overstepped the mark / probably embarassed Agnes / shown herself to be an idiot / reflects silently for a few seconds on the dilemma / suggests that maybe SHE should go home / more reflective silence and displacement activity with her hands / turns it around by suggesting they go to the party at Christians.
it is barely 30 seconds long.
Not many 14 year old actors would be capable of handling a dramatic transition like that convincingly. It's a tough call. Try it yourself in front of a mirror.
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