by Timbird » Sat Jul 19, 2003 12:37 am
The O'Boy scene I found really hard to deal with - it seems to undermine a lot of what comes before it. Immediately before you've got this very public very triumphant confrontation and resolution, which is then undercut by the banality of the last scene. This is obviously really effective, and in a way I like it a lot - it's subverting the usual "resolution, then THE END" formula, cos you don't normally get a sneak preview of what comes afterwards.
But the tone seems really awkward - someone on this forum refered to the scene's dialogue, which is something of an overstatement - I think all that Agnes says is "hm", and laughs at the end. It's true that their relationship all the way through is a bit like this - on the bridge, in the toilet etc. - and again, it's part of the realism of the film, because the "coming out" isn't a complete emotional breakthrough for them. But again, the tone is really a bit weird. It's like something from The Office - not on the same awful level of course, but it is an awkward scene, especially since they've just previously had such a great level of candidness and intimacy. You wonder if their relationship isn't being shown to be a bit flawed.
It also reminded me of that scene Agnes has earlier with her father, where he says in 25 years time "those girls who were the prettiest in the class aren't so special anymore" (paraphrased). It's obviously ironic, because he's trying to re-assure her, but in the context of Agnes' situation is has a dark edge to it - it probably reminds her (and us) of Elin, and effectively tells her that, in the future, she might not seem so special, the relationship may not be as emotionally charged as it is then etc. And that's maybe what the last scene suggests too.
There's also this whole "fucking Amal" side to it - all the way through there are these images of blandness and banality which evoke the dullness of the town - the lottery, the mobile phones, the culture etc. - and the fact that the movie ends with a monologue on the process of making chocolate milk seems to fit in with that whole picture. You could say that Elin's desire to escape the town is actually her way of expressing something else, which she finally expresses fully when she literally "comes out" at the end, so the last scene shows how they are now comfortable with the town once they're together (ahhh). Convincing? Maybe, but I still can't escape that feeling of doubt about the whole tone of the last scene.
Anyway, there you go, I've written far more than I originally intended. Just thought I'd let my brain froth over.
T*m