Moderator: Ian
I think Moodyson’s point was that the greatest moments of love aren’t in the great dramatic events -- the likes of which are so common in movies -- but rather in the mundane, everyday moments. (But that’s just how I personally see it. I think Thomas’ interpretation of it is probably closer to the director’s intentions than mine.)
Absoluted; I think it was both of these reasons that made Lukas shoot this scene. In fact this is also what I meant... The anticlimax you talk about is important also. The O'boy scene shows that no matter what a happy ending this film has, these are still very normal girls.
About the doorbell; I think that Olof (Agnes' father) was so kind as to install a second doorbell at the bottom of the stairs to enable Viktoria to ring the bell when she comes to visit Agnes. Viktoria has probably been Agnes' (only) friend for some time already before her birthday. Ehh.. is this a plausible explanation?
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