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kant1781 wrote:Where and how did you manage to see this, mpox?
bruno wrote:As for the FÅ relevancy, I agree with Mpox in the original post in this thread. The vampire is not a girl but it's like he is one after all when you watch this film (sorry for the grammar horror, I hope you understand me).
This means, I love the film but I find no real relationship with FÅ and no use for understanding FÅ better.
mpox wrote:The relationship isn't really with the films but in a lot of comments about FÅ people talked about how they liked it but didn't know if they could watch a film like that between two boys.
mpox wrote:The relationship isn't really with the films but in a lot of comments about FÅ people talked about how they liked it but didn't know if they could watch a film like that between two boys. LTROI presents that, though you don't know about it until the close to the end of the movie.
bruno wrote:I was not clear maybe, but I intended "relevancy" in that subject too. IMO LTROI does not particularly help to understand this aspect.
Letting LTROI aside, I think FÅ would not be the same thing without the beautiful girls. But I'm not beyond appreciating a gay "coming out" story, if well done.
mpox wrote:I guess if you miss or don't understand the scene where Oskar spies on Eli dressing (it happens late in the movie and it's just a split second glimpse)
bruno wrote:I don't feel LTROI a film about young (male and gay) love. I see Oskar and Eli like two outsiders forming a strange partnership, having just each other accepting and understanding them; it could be a strong friendship more than "love".
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